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  • Creative Flow with the Curator

    The exhibition also provides an opportunity to celebrate some of the local stories that derive from these art historical moments - and so for instance the section on the Hogsmill celebrates the research of Barbara Webb, who painstakingly identified the spot on the river where Millais painted his Ophelia - but also local initiatives, such as Elliot Newton’s (the council’s bio-diversity officer) conservation of the water voles on the Hogsmill (the animal that Millais originally included in the composition and then removed from the work when his friends pointed out it could be mistaken for a rat - not quite the look he was going for).

    https://www.kingstonheritage.org.uk/homepage/101/creative-flow-with-the-curator